Born in 1986 in Brittany and based between Belfort and Brussels.
After graduating in Cultural Studies at KU Leuven and Editorial Design at erg, Brussels, she works in collaboration with cultural institutions.
Her interests include exploring the links between art and publishing practices, heritage collections and on-line/on-site research & mediation tools.
Please find below a selection of projects; go to the Heritage or Publishing pages for more details.
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Colporter, éditer, diffuser
Relecture et réactivation des ouvrages de colportage en les inscrivant dans le contexte contemporain du territoire et de ses problématiques (urbaines, environnementales, culturelles), ce travail s’envisage sur un mode multiple (recherches patrimoniales, workshops), mêlant le passé, le présent et le futur de la ville de Dunkerque et de sa région. De cette collecte protéiforme résultera un palimpseste éditorial (imprimé, sonore, réseau off-line). Cette résidence de recherche a été menée en 2017 grâce à Fructôse, base effervescente de soutien aux artistes, puis renouvelée en 2019 avec l’aide du Ministère de la Culture – DRAC Hauts-de-France.
Reading on the ceiling
The result of a Summer residency at the Vorwerk-Stift Künstlerhaus, Hamburg, "Reading on the Ceiling" gathers a group show, an evolutive library and a radio broadcast in 2017. On this occasion, the Vorwerk-Stift’s gallery and artists’ house garden was a site for visual, spatial, sound and editorial experimentations, a dialogue between various practices coming together for the duration of the event. In the spirit of fruitful exchanges, the reading room, exhibition space and sound space are cohabitating, each one offering fresh material to the others, through a process of constant circulation between each of these sources for reflection. With Myriam A. Goulet, Xavier Aupaix, J.-F. Caro, Dieudonné Cartier, ICIPerformance (Julie Rouanne & David Le Simple), Ronan Le Creurer, Béatrice Lortet, Guillaume Sinquin and La Houle.
Collection des incertitudes
The Collection des incertitudes finds its sources in public, digitized heritage collections, and consists in the entire set of "artefacts" marked by the presence of lexical fields pertaining to the notion of "uncertainty" in their archival records. The collection is in perpetual evolution, and evolves along the uncertain knowledge and recognitions of the scientific world. The Collection des incertitudes was initiated by Marie Lécrivain and Martin Campillo in December 2016 during DiVersions, a worksession organized by the Constant Association for Art and Media, in collaboration with the Brussels Royal Museum of Art and History. The project has been since developed the help of Colm O'Neill.
Links online : diversions + collection-of-uncertainties
One + One +
One + One + is a cycle initiated with the Centre Culturel de Namur in 2017: the exhibition catalogue is interrogated and revisited at each exhibition, object for artistic encounter and editorial dialogue. A poster-catalogue of sorts for One + One + (saule o avalanche) by Marcel Berlanger & Evariste Richer, with a text by curator Yves Depelsenaire; and a performance-conversation edited for Quatuor by Benoît Félix & Bernard Gilbert.
